Just booting the game displays low-level console outputs, it’s not intuitive to use but it’s intentional. The terminals and overall UI design really emphasize the narrative with prisoners sent in to salvage what remains of strange excavations and human experiments. Regardless any scarcities are well felt especially when they are missing in combat. It’s possible to simply grab what you uncover on your way to the objective or one could use a system console and through command lines see a list of occupied containers. Monster encounters are lethal or exhausting of resources that take time to restock provided you can carefully carve through the sleeping residents undetected. This is not the impression I got from GTFO, if looters are alchemy this feels much more like science.
Looter shooters have a cyclical nature to them, that being missions are run and farming loot is a game of strategy against probability. With the addition of a story, environments, and events in the depths of each mission, every discovery is ungodly and feels heretical to the touch. GTFO quite effectively captures the delight in that experience with methodical scavenging for resources and the heavy cost of combat encounters.
If you’ve played MMOs or RPG games you might be familiar with the experience of wandering into somewhere you aren’t supposed to be and being smeared by the heel of a monster several dozen levels above you, sometimes you can turn the zone into a stealth mission and see how much high-level items you can loot without catching their fists for a nice early game boost. GTFO is not Primarily an action game, it is much better described as survival horror. A lot of the thrill of this game is the mystery, fans of Resident Evil or SCP Containment Breach might find themselves at home slowly walking through the thick contaminated fog while rationing any scavenged supplies against mutated humans.
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